I figured ‘seven grand? Let me take a shot.’ And that was it. I thought about, and bought it for seven grand. Who the hell knew what Woodstock was going to be? He said I could have the rights for seven thousand dollars. “It was going to take place in two weeks. And he was not our lawyer anymore, but, nevertheless, he called me up, ‘Listen. “There was a lawyer named Paul Marshall, he used to be our in-house council. “The soundtrack albums came out on Atlantic on our Cotillion label. “After the 1967 Monterey International Pop Festival I later got the rights to Woodstock,” Wexler explained to me in a 2007 interview. It was Atlantic Records executive Jerry Wexler who first secured the rights to the lucrative soundtrack configurations in late July 1969. It spawned two top 40 hit singles, “Marrakesh Express” and “Suite: Judy Blue Eyes,” and subsequently informed the nascent singer/songwriter movement, soft-rock and Americana radio formats will be celebrated and targeted to digital universe consumers.Īlso expect a deluxe edition DVD and Blu-Ray of director Michael Wadleigh’s 1970 documentary Woodstock that includes the trio, as well as incorporating a featurette with the never-before-seen Neil Young selections from the CSN&Y set being planned this summer from Warner Bros.ĬSN&Y will be heard in the Woodstock documentary and on the revised soundtrack album. I also suspect a revised 50th anniversary package of the May 1969 released Crosby, Stills & Nash debut LP from the Atlantic/Warner Music Group label. The media will soon be teasing and then hailing these CS&N-centric 2019 audio and visual retail items as well as David Crosby: Remember My Name, a documentary that will be distributed by Sony Pictures Classics in the North American market.

The spring and summer a slew of Crosby, Stills and Nash and Woodstock Festival related products will again position David Crosby, Stephen Stills and Graham Nash into the retail music world.

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